Taking Charge of Your Health

About four years ago, the New Yorker published an article about a cache of dodo bones that was found in a pit on the island of Mauritius. Now, the island of Mauritius is a small island off the east coast of Madagascar in the Indian Ocean, and it is the place where the dodo bird was discovered and extinguished, all within about 150 years. Everyone was very excited about this archaeological find, because it meant that they might finally be able to assemble a single dodo skeleton. See, while museums all over the world have dodo skeletons in their collection, nobody — not even the actual Natural History Museum on the island of Mauritius — has a skeleton that’s made from the bones of a single dodo. Well, this isn’t exactly true. The fact is, is that the British Museum had a complete specimen of a dodo in their collection up until the 18th century — it was actually mummified, skin and all — but in a fit of space-saving zeal, they actually cut off the head and they cut off the feet and they burned the rest in a bonfire. If you go look at their website today, they’ll actually list these specimens, saying, the rest was lost in a fire. Not quite the whole truth. Anyway. The frontispiece of this article was this photo, and I’m one of the people that thinks that Tina Brown was great for bringing photos to the New Yorker, because this photo completely rocked my world. I became obsessed with the object — not just the beautiful photograph itself, and the color, the shallow depth of field, the detail that’s visible, the wire you can see on the beak there that the conservator used to put this skeleton together — there’s an entire story here. And I thought to myself, wouldn’t it be great if I had my own dodo skeleton? (Laughter) I want to point out here at this point that I’ve spent my life obsessed by objects and the stories that they tell, and this was the very latest one. So I began looking around for — to see if anyone sold a kit, some kind of model that I could get, and I found lots of reference material, lots of lovely pictures. No dice: no dodo skeleton for me. But the damage had been done. I had saved a few hundred photos of dodo skeletons into my “Creative Projects” folder — it’s a repository for my brain, everything that I could possibly be interested in. Any time I have an internet connection, there’s a sluice of stuff moving into there, everything from beautiful rings to cockpit photos. The key that the Marquis du Lafayette sent to George Washington to celebrate the storming of the Bastille. Russian nuclear launch key: The one on the top is the picture of the one I found on eBay; the one on the bottom is the one I made for myself, because I couldn’t afford the one on eBay. Storm trooper costumes. Maps of Middle Earth — that’s one I hand-drew myself. There’s the dodo skeleton folder. This folder has 17,000 photos — over 20 gigabytes of information — and it’s growing constantly. And one day, a couple of weeks later, it might have been maybe a year later, I was in the art store with my kids, and I was buying some clay tools — we were going to have a craft day. I bought some Super Sculpeys, some armature wire, some various materials. And I looked down at this Sculpey, and I thought, maybe, yeah, maybe I could make my own dodo skull. I should point out at this time — I’m not a sculptor; I’m a hard-edged model maker. You give me a drawing, you give me a prop to replicate, you give me a crane, scaffolding, parts from “Star Wars” — especially parts from “Star Wars” — I can do this stuff all day long. It’s exactly how I made my living for 15 years. But you give me something like this — my friend Mike Murnane sculpted this; it’s a maquette for “Star Wars, Episode Two” — this is not my thing — this is something other people do — dragons, soft things. However, I felt like I had looked at enough photos of dodo skulls to actually be able to understand the topology and perhaps replicate it — I mean, it couldn’t be that difficult. So, I started looking at the best photos I could find. I grabbed all the reference, and I found this lovely piece of reference. This is someone selling this on eBay; it was clearly a woman’s hand, hopefully a woman’s hand. Assuming it was roughly the size of my wife’s hand, I made some measurements of her thumb, and I scaled them out to the size of the skull. I blew it up to the actual size, and I began using that, along with all the other reference that I had, comparing it to it as size reference for figuring out exactly how big the beak should be, exactly how long, etc. And over a few hours, I eventually achieved what was actually a pretty reasonable dodo skull. And I didn’t mean to continue, I — it’s kind of like, you know, you can only clean a super messy room by picking up one thing at a time; you can’t think about the totality. I wasn’t thinking about a dodo skeleton; I just noticed that as I finished this skull, the armature wire that I had been used to holding it up was sticking out of the back just where a spine would be. And one of the other things I’d been interested in and obsessed with over the years is spines and skeletons, having collected a couple of hundred. I actually understood the mechanics of vertebrae enough to kind of start to imitate them. And so button by button, vertebrae by vertebrae, I built my way down. And actually, by the end of the day, I had a reasonable skull, a moderately good vertebrae and half of a pelvis. And again, I kept on going, looking for more reference, every bit of reference I could find — drawings, beautiful photos. This guy — I love this guy! He put a dodo leg bones on a scanner with a ruler. This is the kind of accuracy that I wanted, and I replicated every last bone and put it in. And after about six weeks, I finished, painted, mounted my own dodo skeleton. You can see that I even made a museum label for it that includes a brief history of the dodo. And TAP Plastics made me — although I didn’t photograph it — a museum vitrine. I don’t have the room for this in my house, but I had to finish what I had started. And this actually represented kind of a sea change to me. Again, like I said, my life has been about being fascinated by objects and the stories that they tell, and also making them for myself, obtaining them, appreciating them and diving into them. And in this folder, “Creative Projects,” there are tons of projects that I’m currently working on, projects that I’ve already worked on, things that I might want to work on some day, and things that I may just want to find and buy and have and look at and touch. But now there was potentially this new category of things that I could sculpt that was different, that I — you know, I have my own R2D2, but that’s — honestly, relative to sculpting, to me, that’s easy. And so I went back and looked through my “Creative Projects” folder, and I happened across the Maltese Falcon. Now, this is funny for me: to fall in love with an object from a Hammett novel, because if it’s true that the world is divided into two types of people, Chandler people and Hammett people, I am absolutely a Chandler person. But in this case, it’s not about the author, it’s not about the book or the movie or the story, it’s about the object in and of itself. And in this case, this object is — plays on a host of levels. First of all, there’s the object in the world. This is the “Kniphausen Hawk.” It is a ceremonial pouring vessel made around 1700 for a Swedish Count, and it is very likely the object from which Hammett drew his inspiration for the Maltese Falcon. Then there is the fictional bird, the one that Hammett created for the book. Built out of words, it is the engine that drives the plot of his book and also the movie, in which another object is created: a prop that has to represent the thing that Hammett created out of words, inspired by the Kniphausen Hawk, and this represents the falcon in the movie. And then there is this fourth level, which is a whole new object in the world: the prop made for the movie, the representative of the thing, becomes, in its own right, a whole other thing, a whole new object of desire. And so now it was time to do some research. I actually had done some research a few years before — it’s why the folder was there. I’d bought a replica, a really crappy replica, of the Maltese Falcon on eBay, and had downloaded enough pictures to actually have some reasonable reference. But I discovered, in researching further, really wanting precise reference, that one of the original lead birds had been sold at Christie’s in 1994, and so I contacted an antiquarian bookseller who had the original Christie’s catalogue, and in it I found this magnificent picture, which included a size reference. I was able to scan the picture, blow it up to exactly full size. I found other reference. Avi [Ara] Chekmayan, a New Jersey editor, actually found this resin Maltese Falcon at a flea market in 1991, although it took him five years to authenticate this bird to the auctioneers’ specifications, because there was a lot of controversy about it. It was made out of resin, which wasn’t a common material for movie props about the time the movie was made. It’s funny to me that it took a while to authenticate it, because I can see it compared to this thing, and I can tell you — it’s real, it’s the real thing, it’s made from the exact same mold that this one is. In this one, because the auction was actually so controversial, Profiles in History, the auction house that sold this — I think in 1995 for about 100,000 dollars — they actually included — you can see here on the bottom — not just a front elevation, but also a side, rear and other side elevation. So now, I had all the topology I needed to replicate the Maltese Falcon. What do they do, how do you start something like that? I really don’t know. So what I did was, again, like I did with the dodo skull, I blew all my reference up to full size, and then I began cutting out the negatives and using those templates as shape references. So I took Sculpey, and I built a big block of it, and I passed it through until, you know, I got the right profiles. And then slowly, feather by feather, detail by detail, I worked out and achieved — working in front of the television and Super Sculpey — here’s me sitting next to my wife — it’s the only picture I took of the entire process. As I moved through, I achieved a very reasonable facsimile of the Maltese Falcon. But again, I am not a sculptor, and so I don’t know a lot of the tricks, like, I don’t know how my friend Mike gets beautiful, shiny surfaces with his Sculpey; I certainly wasn’t able to get it. So, I went down to my shop, and I molded it and I cast it in resin, because in the resin, then, I could absolutely get the glass smooth finished. Now there’s a lot of ways to fill and get yourself a nice smooth finish. My preference is about 70 coats of this — matte black auto primer. I spray it on for about three or four days, it drips to hell, but it allows me a really, really nice gentle sanding surface and I can get it glass-smooth. Oh, finishing up with triple-zero steel wool. Now, the great thing about getting it to this point was that because in the movie, when they finally bring out the bird at the end, and they place it on the table, they actually spin it. So I was able to actually screen-shot and freeze-frame to make sure. And I’m following all the light kicks on this thing and making sure that as I’m holding the light in the same position, I’m getting the same type of reflection on it — that’s the level of detail I’m going into this thing. I ended up with this: my Maltese Falcon. And it’s beautiful. And I can state with authority at this point in time, when I’d finished it, of all of the replicas out there — and there is a few — this is by far the most accurate representation of the original Maltese Falcon than anyone has sculpted. Now the original one, I should tell you, is sculpted by a guy named Fred Sexton. This is where it gets weird. Fred Sexton was a friend of this guy, George Hodel. Terrifying guy — agreed by many to be the killer of the Black Dahlia. Now, James Ellroy believes that Fred Sexton, the sculptor of the Maltese Falcon, killed James Elroy’s mother. I’ll go you one stranger than that: In 1974, during the production of a weird comedy sequel to “The Maltese Falcon,” called “The Black Bird,” starring George Segal, the Los Angeles County Museum of Art had a plaster original of the Maltese Falcon — one of the original six plasters, I think, made for the movie — stolen out of the museum. A lot of people thought it was a publicity stunt for the movie. John’s Grill, which actually is seen briefly in “The Maltese Falcon,” is still a viable San Francisco eatery, counted amongst its regular customers Elisha Cook, who played Wilmer Cook in the movie, and he gave them one of his original plasters of the Maltese Falcon. And they had it in their cabinet for about 15 years, until it got stolen in January of 2007. It would seem that the object of desire only comes into its own by disappearing repeatedly. So here I had this Falcon, and it was lovely. It looked really great, the light worked on it really well, it was better than anything that I could achieve or obtain out in the world. But there was a problem. And the problem was that: I wanted the entirety of the object, I wanted the weight behind the object. This thing was made of resin and it was too light. There’s this group online that I frequent. It’s a group of prop crazies just like me called the Replica Props Forum, and it’s people who trade, make and travel in information about movie props. And it turned out that one of the guys there, a friend of mine that I never actually met, but befriended through some prop deals, was the manager of a local foundry. He took my master Falcon pattern, he actually did lost wax casting in bronze for me, and this is the bronze I got back. And this is, after some acid etching, the one that I ended up with. And this thing, it’s deeply, deeply satisfying to me. Here, I’m going to put it out there, later on tonight, and I want you to pick it up and handle it. You want to know how obsessed I am. This project’s only for me, and yet I went so far as to buy on eBay a 1941 Chinese San Francisco-based newspaper, in order so that the bird could properly be wrapped … like it is in the movie. (Laughter) Yeah, I know! (Laughter) (Applause) There you can see, it’s weighing in at 27 and a half pounds. That’s half the weight of my dog, Huxley. But there’s a problem. Now, here’s the most recent progression of Falcons. On the far left is a piece of crap — a replica I bought on eBay. There’s my somewhat ruined Sculpey Falcon, because I had to get it back out of the mold. There’s my first casting, there’s my master and there’s my bronze. There’s a thing that happens when you mold and cast things, which is that every time you throw it into silicone and cast it in resin, you lose a little bit of volume, you lose a little bit of size. And when I held my bronze one up against my Sculpey one, it was shorter by three-quarters of an inch. Yeah, no, really, this was like aah — why didn’t I remember this? Why didn’t I start and make it bigger? So what do I do? I figure I have two options. One, I can fire a freaking laser at it, which I have already done, to do a 3D scan — there’s a 3D scan of this Falcon. I had figured out the exact amount of shrinkage I achieved going from a wax master to a bronze master and blown this up big enough to make a 3D lithography master of this, which I will polish, then I will send to the mold maker and then I will have it done in bronze. Or: There are several people who own originals, and I have been attempting to contact them and reach them, hoping that they will let me spend a few minutes in the presence of one of the real birds, maybe to take a picture, or even to pull out the hand-held laser scanner that I happen to own that fits inside a cereal box, and could maybe, without even touching their bird, I swear, get a perfect 3D scan. And I’m even willing to sign pages saying that I’ll never let anyone else have it, except for me in my office, I promise. I’ll give them one if they want it. And then, maybe, then I’ll achieve the end of this exercise. But really, if we’re all going to be honest with ourselves, I have to admit that achieving the end of the exercise was never the point of the exercise to begin with, was it. Thank you.

100 thoughts on “Adam Savage: My obsession with objects and the stories they tell

  1. I used this speach for my school. We had to analyse a presentation of somebody. And this presentation is technicly not very good. But he does take you an a journey with him. 😀
    I have seen this over 10 times now. Love it. 🙂

  2. If Adam Savage was my dad I'd ride a robot T-Rex to school everyday. And no one would wonder where i got it from.

  3. I am the same way in wanting a perfect result, which is why I don't understand the ending. I usually can't rest til I get the perfect…whatever it is I want. I must ask though… Why is it that every YouTube video has comments between two people competing to insult each other? I thought the video comments function functioned to allow comments about the video…rather than to fellow viewers. Isn't that what Facebook is for?

  4. The model of a DODO is at the entrance of the late Gerald Durrel at Jeresy CI Zoo now name as a "wild life trust"

  5. adam savage would be far less interesting without any money…in fact he would be the crazy guy down the block with a house full of taxidermied animals dusty old paintings and books screaming about how starwars isnt the future "ITS THE PAST!!!' Hahahahaha

  6. I don't understand why people down-vote videos like these. You knew what it involved just by the video title. If it doesn't interest you, don't open it.

  7. I always liked Adam from the feel i got from the show….and from this that feeling is totally correct. Adam seems like the COOLEST nerd ever haha. It would be so great to talk to him and get to know him more.

  8. I don't know what it is…this speech has no real point, but man does it inspire me. It's just so incredible to see someone with such awe-inspiring drive.

  9. he actually does a lot of youtube photos, he actually doesnt have really that much time, he is actually really busy. got to testcom, he does a lot of videos on that. most of the stuff he does take him years cause he doesnt get that much time.

  10. its exactly because some rich / smart people have so little time that they cherish it so much and spend it in such productive manner.

  11. "…and then maybe then, I'll achieve the end of this exercise but really if we all are going to be honest with ourselves I have to admit that achieving the end of the exercise was never the point of the exercise to begin with was it?"

  12. He wasn't always rich, and didn't always have a lot of free time. He worked hard to get to where he was.

  13. He's not even that rich. A rich person would never make something because the one on Ebay was "too expensive". He is obviously well off, though.

  14. anyone else get the feeling Adam can be a stand-up comic and make his career based on stories of the things he made?

  15. Wow. Just… WOW! I mean… on some level I certainly admire his craftsmanship and attention to detail and dedication but being around a man like this would drive me insane!

  16. One of my favorite things about the Maltese Falcon movie prop is that there is one that is damaged. It was dropped by Bogart on set and forced them to make a new one. It's on display at Warner Bros. and has a wonderful feeling of authenticity because of that very damage.

  17. I have four folders: to do, in progress, to done, and leftovers. All in my brain crack drive. So I understand this all too well.

  18. That last point was amazing. "Achieving the end of the exercise is not the point of the exercise". Means there is no limit on your goals. There is no perfection but there is no limitation on creativity

  19. Creative obsession is a wonder to behold. Adam has a ferver and fire for his work that is a marvel to see. True passion focused, can achieve true greatness.

  20. And then maybe, then I'll achieve the end of this exercise. But really if we're all going to be honest with ourselves, I have to admit that achieving the end of the exercise was never the point of the exercise to begin with, was it?
    Thank You Adam!

  21. Have watched this before and knew that when starting to watch this for the second time but it is just so inspiring! 🙂 So true the way to the goal is more satisfying than the actual end result! 

  22. Adam and i have a lot in common, we both obsess over things we want to do and saturate ourselves in the known knowlege of said subject, have many random useless or obscure skills, and have a deep love for the dodo bird hahaha

  23. Damn, Adam just went straight up my ladder of appreciation. His focus on details is so amazing it's almost obscene. However was wondering about the complete Dodo skeleton/mummie. Adam mentions this to be from the British Museum, however Wikipedia says it belonged to the Ashmolean Museum in Oxford. Anyone knows the correct details ?  😛 😀

  24. wtf. I was listening to this while writing my report, and I could have sworn I heard the word dildo a couple of times. Am I going insane?

  25. The passion Adam has for just the process of perfection is amazing. Its not about the end result, its about getting to that end and this is awe inspiring to me, the want and vigorous attention to detail. Fantastic is an understatement for this attitude. Thank you Adam Savage for the inspiration to achieve this enthusiasm!

  26. I so love this guys passion, to some he may sound a 100% geek but…. I really don't care I would be so honored to meet him, Ive been a maker for quite a few years, mainly weaponry but hey we all have our niche

  27. Man, I've loved him for years, but hearing him talk about more 'real' topics was pretty inspiring. I'm sure gonna miss watching him and Jamie every week.

  28. this is a man with way more money and time than I have, I have to spend a lot more time at work so I can pay bills and that leaves me to wore out to ever bother with a project for "fun", I don't even know what fun is anymore, maybe in another decade I can retire but with the money I make I'm going to be working till I'm 80 or dead

  29. I can listen to him for hours. For me, he's the "Bob Ross" of makers. The combination of great crafting skills and story telling.

  30. Now get the Dodo genome and clone the mother and father to make artificial insemination with them and make the first Dodo Adam (and Eve?) and bring the Dodo back from extinction with an extraordinarily savage story!

  31. Imagine all this enthusiasm, devotion, creativity, knowledge, craftsmanship would be used for something useful and or important

  32. I know what this feels like. A story: I'm a drummer who plays a bit of guitar. I love the Beatles like crazy. I love George Harrison and especially his solo work. I love his psychedelic painted 60's Fender Stratocaster he named "Rocky" that he played until his death. I can't own the original, nor would I want it. It's in the hands of Olivia and Dhani as it should be. But being a Beatlemaniac I wanted one. So I decided to replicate my own. Other have done one so why couldn't I? Plus my bother had the infamous "Guitars of the Sixties" book that had a three page photo spread of the guitar all blown up and even a back view. Knowing I could screw up painting an electric guitar, even though I've done lots of painting in art classes, I bought the cheapest Squier model (Fender's affordable import line) Stratocaster I could get. The one I got came from a pawn shop on Ebay. It was in rough shape. Rusted screws, replacement parts, and a punk sticker all over the back. But it had a rosewood fretboard and the small headstock and a full width body the new beginner models don't. I stripped the red paint off of it right down the wood, which took forever. I sanded for even longer. I got acrylic paints (another fan had painted one using craft store acrylics so why not?). I mixed the colors and tried to get the right day glo brightness ( I didn't). It turned out okay, but the electronics were crackly and the tuners wouldn't stay put. Plus nicks and gouges I couldn't smooth over. It looked rough. The clear coat yellowed. (ugh!) And the colors looked to dull and flat.If someone wanted play it, they would not be digging it. So I recently re-did it. I bought a still stock newer Squier SE model. It is the last model Fender did that had full thickness body and neck, and had the small headstock shape. Got the whole thing all shiny and well taken care of with barely any wear on it. I used Testors model paints with a glossy sheen. I took much more time painting it. Dhani Harrison even did an iPad app with George's guitars you can view 360 degrees! And on someone's build page they screen grabbed every angle!! I was in heaven and put it all to good use. But I'm still not satisfied. I think I want to age the hardware with rust, nick and relic and wear the guitar body, and get period correct tuners and rust those as well. Use period correct sounding pickups. But that's for another day.. heh.. This guitar is my Maltese falcon.

  33. Having recently finished my first DIY prop replica (also my first DIY project ever),
    I had never considered the impact the process could have on me.
    Stretching my actual limits in woodworking as well as my perceived limits. Then coming to terms with NEW limits. Dealing with my strive for perfection. Needing to work within a set time limit.
    But also the joy of discovering things for the first time, techniques as well as simple joy from just holding something I created.
    Giving it away, while part of me wanted to keep it for myself 😛
    Seeing the joy it brought to the person I made it for.

    All this makes it so much more gratifying then buying (even a perfect) thing on ebay or wherever.
    Not to say my project is perfect, because it's actually pretty crappy.

    It's weird now that I think about it: For me, Adam explains away some of the magic of creating things, by showing how it's done, but replaces that with a new magic, of enthusiasm and understanding.

  34. If the Maltese falcon is what dreams are made of ~ The Dodo skeleton must be what nightmares are made of ! At least for the Dodo ?
    I have wanted a Maltese Falcon for years but have you seen the shipping costs to the U.K.?

  35. "and one of the things I've been interested over the years have been spines and skeletons, having collected a couple of hundred…". Was he about to say that he has been collecting a couple of hundred skeletons?

Leave a Reply

Your email address will not be published. Required fields are marked *